Alfred Mac Adam reviews Franz Kline in The Brooklyn Rail.
Mac Adam writes, "The Mnuchin Gallery has gathered twenty-four paintings and drawings made between 1950 and 1960, the greatest decade in Kline’s brief career. This is a unique opportunity to see exactly what Kline’s contribution was and, simultaneously, to experience stages in the gestation of two important pieces. While we may think Action painting consisted in wildly assaulting a canvas with paint and brushes, we see here that premeditation and self-awareness govern artistic frenzy."